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WeatherBlog 11-2016 | Weather literature

Angry clouds and co.

by Lea Hartl 01/12/2016
The WeatherBlog occasionally reads in The New Yorker magazine, which is usually as great as it is sometimes lengthy, and has found an interesting article there. It's about literary weather: the weather as meaningful plot background, stylistic device, novel character. Before weather forecasts were known, the weather was logically a direct manifestation of divine anger or pleasure. Where else could it come from? From the Greek legends of the gods to the Old Testament, the weather is angrily tossed around with thunder, lightning, wind, waves and the odd plague of locusts. Classics by Charles Dickens and the Brontë sisters would probably only be half as thick if the London fog and stormy weather of English upland moors had been given less of a supporting role.

Nowadays, people like to complain about the inaccuracy of weather forecasts, but we are a huge step ahead when we consider that in 1869, 1914 ships capsized on the Great Lakes in the USA alone. Not knowing the maximum wind speeds a storm will reach is one thing. Noticing the storm because the sky suddenly darkens while you are sailing somewhere is something else. Due to the considerable number of shipwrecks, there was a kind of wreck recycling industry around the Great Lakes at the time. Their lobby was, for a time at least, powerful enough to severely hamper the first institutional attempts at weather forecasting.

Mark Twain began a novel in 1892 by announcing that there would be no weather in it. The weather, both as a topic of conversation and as a stylistic device in writing, tends towards the opposing extremes of utter banality ("Nice weather today!"") and unspeakable melodrama ("Cold whip makes Germany tremble, snow bomb threatens") and he therefore considered it unsuitable for literature. With the rise of meteorological understanding at the end of the 19th century, people increasingly refrained from using metaphorically angry clouds. Heat became less merciless and the skies no longer wept so often.

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It was only in recent literature that the weather experienced a kind of revival. This development can also be traced back to the gradual discovery of new findings in meteorology: The more climate change becomes a public issue, the more cli-fi (climate fiction) books appear, from thrillers about the machinations of corrupt climate activists, to dystopian novels in which the earth becomes a desert.

In the past few days, the mystically winding valleys of the western Northern Alps were shrouded in gloomy clouds, forests and meadows were covered in a wondrous blanket of snow, while the rugged, storm-tossed peaks shuddered under a whipping wind. Or something like that. Tomorrow, Thursday, the mighty stream of cold air masses from polar regions will calm down somewhat and a few benevolent rays of sunshine may caress the odd skier or two, but they will have to be wary of the avalanche wolf in a snow coat. Towards the weekend, clouds, cold and snow will gain the upper hand again, especially where there is already snow (north/north-west favors, south more or less dry). If the worst comes to the worst, my colleague the oracle will certainly speak to us again. From today's perspective, it looks like cold and drier weather for the beginning of next week.

In the meantime, we'll stick with Wilhelm Busch and think about which literary weather event we like best: If it rains (snows), let it rain (snow).

This article has been automatically translated by DeepL with subsequent editing. If you notice any spelling or grammatical errors or if the translation has lost its meaning, please write an e-mail to the editors.

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